Exhibitions, Screenings & Performances
| 2018 | Home is Where the Art Is; Art Box, Long Island City, NY |
| 2015 | Here We LTTR: 2002–2008; Tensta konsthall; Spanga, Sweden |
| 2014 | The Intuitionists, The Drawing Center, New York, NY, organized by Heather Hart, Steffani Jemison, and Jina Valentine,curated by Lisa Sigal. |
| 2013 | Rebirth, Standard Toykraft, New York, NY |
| 2012 | The International Plain Brown Notebook Project, Gymnasia Herzliya, Tel Aviv, Israel |
| 2010 |
“A FIRE IN MY BELLY”: A Program Celebrating David Wojnarowicz, The Nightingale, Chicago, IL, presented in cooperation with P.P.O.W Gallery, NY |
| Empire State of Mind, 25CPW, New York, NY | |
| 2009 | The Space Between Us, 45 Projects |
| CoLAB Cooperative, chashama Window Space, New York, NY | |
| 2008 | Eggcartonopolis, HQ, Brooklyn, NY |
| Spark Video International, Spark Contemporary Art Space, Syracuse, NY | |
| The Way That We Rhyme: Women, Art & Politics, Yerba Buena Center for the Arts, San Francisco, CA | |
| 2007 | documenta 12 magazines; Kassel, Germany; “Performative practices”; screening of “The Dead, Absent, and Fictitious” Film and Video Program, organized by LTTR. |
| CONVERSATIONS AT THE EDGE, School of the Art Institute of Chicago, Chicago, IL; “The Dead, Absent, and Fictitious” Film and Video Program, organized by LTTR. | |
| London Lesbian & Gay Film Festival, “Thief Videos: Stolen Documents and Underground Histories” Shorts Programme | |
| Slide Slam, Real Art Ways, Hartford, CT | |
| 2006 | LTTR V/ ISSUE 5/ POSITIVELY NASTY, Release Party (12.18.2006), performance of “Master Race?”, Glasslands Gallery, Brooklyn, NY |
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MIX NYC, New York, NY, “The Dead,The Absent, and Fictitious” Film and Video Program, organized by LTTR |
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| Indianapolis LGBT Film Festival, Indianapolis, IN | |
| The Matthew Barney Show, Blasthaus Gallery, San Francisco, CA | |
| Outfest 2006, Los Angeles, CA, “The Dead, Absent, and Fictitious” Film and Video Program, organized by LTTR | |
| The Matthew Barney Show, Jack The Pelican, Brooklyn, NY | |
| 2005 | The Last Show, curated by Philip Grauer, Sarah Braman and Wallace Whitney of CANADA, Visual Arts Gallery, New York, NY |
| Summer Salon, Daniel Cooney Fine Arts, New York, NY | |
| 2004 | Emerging NYC, Pool Art Center, Drury University, Springfield, MO |
Press
| 2014 | “Goings on About Town.” Rev. of “The Intuitionists”. New Yorker. 4 August 2014: 14. |
| 2008 | Spinelli, Chris. “Signed, Sealed, Encoded.” NY Arts Magazine. July-Aug. 2008: 34. |
| 2006 | Wang. Michael. “Cover Story.” Artforum: Scene and Heard. 24 December 2006. Artforum. http://artforum.com/diary/id=12237 |
| Schjeldahl, Peter. “Critic’s Notebook: Post-Barney.” Rev. of “The Matthew Barney Show”. New Yorker. 1 May 2006: 26. | |
| 2004 |
Powell, Camille. “Drury Exhibit Stretches, Strains Viewers.” Springfield News-Leader [Springfield, MO] 17 Dec. 2004: 1C+. |